Showing posts with label 1920's. Show all posts
Showing posts with label 1920's. Show all posts

Friday, August 16, 2019

Gods of Jade and Shadow, by Silvia Moreno-Garcia


I don't blog much in the summer anyway, but this year I've been in quite the reading funk and haven't had anything to say about books for a while. It happens, I guess. Sometimes life gets in the way of reading.

But when my friend's book came out I had to read it, of course. And if you need a book to get you out of a slump, have I got a book for you!

Gods of Jade and ShadowGods of Jade and Shadow has to be the sweetest dark fantasy about homicidal death gods ever written! If Jazz Age meets Mayan death god sounds intriguing, I can promise you won't be disappointed: you get Mayan mythology and 1920's Mexico in equally vivid realism. The intersection of Xibalba, the Mayan underworld, with a Mexico on the verge of change is convincing, terrifying, and so much fun. Witches and demons lurk in strange mansions and the streets of Carnival; fancy new hotels can be portals to hell.

The protagonist leading you through both worlds is a clear-headed, no-nonsense dreamer with a temper that gets her in trouble and a dry, self-depreciating wit that gets her through it. Casiopea is named after a Greek myth and knows her stories, and when she accidentally resurrects a death god she takes it all in stride—after all, he's going to get her out of her grandfather's house and the drab town that "scorch[es] out dreams." And maybe, if she survives the vengeful spirits and the Black Roads of Xibalba and her ever-awful cousin Martín, she might get a chance to realize one or two of her own carefully hoarded dreams.

Hun-Kamé, Lord of Shadows and rightful ruler of Xibalba, is an equally delightful travel companion. Arrogant and careless as any god when we first meet him, he becomes more and more human as he journeys with Casiopea (due to a particularly well-done mythical plot twist). Casiopea's relationship with Hun-Kamé is the fascinating, piquant heart of the story: she fears him, stands up to him anyway, serves him, refuses to put up with his crap, chooses to stick with him, and comes to have compassion for him. The impossible romance that blooms ever-so-tentatively between them is entirely believable and beautifully bittersweet.

The writing is lovely and often quite funny. Hun-Kamé is prone to grave utterances that the other characters refuse to take seriously.
"Death enters all dwellings."
"Death has no manners."
But then sometimes he ends up being quite profound.
"Death speaks all languages."
"But I am not death."
"You wear me like a jewel upon your finger, Casiopea."
The plot has the pleasing inevitability of a folktale but the satisfaction of watching characters with agency change their world. "'Very well,'" says Casiopea at the beginning, "and with these two words she accepted her fate, horrid or wonderful as it might be." By the end of her Odyssey, she is defying gods and monsters (and the ever-awful Martín)(but even he gets some compassion, because Casiopea is just that awesome) and it turns out the fate of the world is in her hands. "'I wish you were a coward instead of a hero,'" says Hun-Kamé. But we've known from the start that Casiopea is no coward. Her triumph at the end is earned and fitting. I particularly enjoyed the form her happily-ever-after took!

If you're bored with endlessly replicated fantasy settings, annoyed with heroines whose one characteristic is spunky or kick-ass, have had it up to here with insta-love and angst—this is the book to cleanse your palate and renew your faith in speculative fiction.

Home-made corn tortillas with carnitas, queso fresco and a really spicy pico de gallo. Also a salsa made from blackened habaneros that will scorch your tongue off.

And here's some of what I've been doing instead of reading this summer:


Cross-posted on Goodreads (without the hiking photos!).

Monday, May 29, 2017

Iron Cast, by Destiny Soria

I picked Iron Cast up from the New shelf at the library, and it turned out to be a great debut from a novelist I will follow eagerly. The gorgeous cover drew me in, and the setting matches: 1919 Boston, the Cast Iron nightclub. It's right before Prohibition, but there's still something illegal going on at the Cast Iron: hemopaths are performing.

I love the 1920's—flappers, speak-easies, jazz, independent women, gangsters and shady backroom deals. Add magic and you've got a smoky, intoxicating backdrop for a tale of two girls from the opposite sides of town with a friendship strong enough to take on the world.

The magic was intriguing—hemopaths have an "affliction of the blood" that makes iron painful to them but gives them various magical talents, like manipulating emotions, creating illusions, changing their appearance. I loved how the magic was associated with an art: musicians use their music to make people feel emotions; wordsmiths use poetry to create illusions, actors can change their appearance.

The plot was twisty with betrayals and the looming menace of the Haversham Asylum (what exactly are they doing to hemopaths in the basement???). All sorts of divisions—class, money, race, background—are mined for all the tension and mistrust they create. But holding fast at the centre of it all is the friendship between Ava and Corinne. Rich, white, high society Corinne and poor, black, immigrant Ava have an unshakeable loyalty and trust between them that was a pleasure to watch. So many fist-pumping moments where one girl comes through for the other, who never doubted she would.

I also loved the two romantic relationships, which were realistic and respectful (I mean both the characters' treatment of each other and the author's treatment of the characters: they were all real people who weren't being crammed into a plot device), but I was very happy that the key relationships were the friendships. As this goodreads reviewer cleverly points out, Iron Cast is all about trust, and it was explored in so many different ways through all the different characters.

So many happy things about this book! I don't know much about '20s food, so I'll compare it to jazz—not the boring kind, but the swinging, be bop kind you can dance to. Sing Sing Sing (here it is with awesome dancing from that fantastic movie Swing Kids):