Showing posts with label Seraphina. Show all posts
Showing posts with label Seraphina. Show all posts

Monday, September 17, 2018

Tess of the Road, by Rachel Hartman

I finally got around to reading Tess of the Road, and I don't know what took me so long! As usual, all the Bloggers I Trust were absolutely right: this is a fantastic, moving, meaningful book.

It's also a very hard book to talk about. It's not what you expect: it doesn't fit into any categories. It's a quest fantasy, sort of, but Tess has no idea what she's questing for. It's a coming-of-age story, but before Tess can come of age she has to overcome her childhood, which is not usually what fantasy coming-of-age is about. There is magic, but it looks more like religion—and oh, interesting and thought-provoking take on religion in general, which almost never happens, especially in fantasy. There are dragons, sort of, but not in the same way as in Seraphina. The one on the cover is metaphorical. There are lots of metaphors.


Okay, let's start with Tess. I loved Tess. She is so. messed. up. I wish I still had my copy of the book so I could find the amazing quotation about how she wouldn't just cut off her nose to spite her face, she'd ... (someone help me out here, it was such a great line!). Stubborn, angry, alcoholic, she's in so much pain and she is trying. so. hard. It just isn't working. Tess has been taught to hate herself, and she's doing an excellent job. She's difficult to read about, at first, because she's so frustrating. (Then she punches someone who really deserves it, and you're like, "yesssss! but noooooo, you shouldn't have done that!"

Tess finally runs away from her (mostly) quite horrible family. She has no idea where she's going; she's seriously contemplating suicide, but she isn't quite committed enough; she wakes up every morning and decides to "walk on" for one more day. Then she runs into her childhood friend, a quigutl named Pathka, and woah, quigutls have some interesting customs! And Pathka has some past trauma ko has to get over as well. (Ko is the non-gendered pronoun quigutls use.)(They have a very cool language, too.)

The plot seems random: Tess and Pathka are going down the road and meeting random strangers and doing random things. At one point Tess joins a road-building crew. (Pretty sure that's never happened in a quest fantasy before!) Pathka is looking for a mythical giant serpent, and Tess is like, sure, why not? Let's go look for something that might not exist. But then things start to come together in very satisfying ways. Tess is trying to forget her past, but every encounter she has brings up some memory, and gives her a new way to process it. She doesn't realize that she's on a quest for healing, but that's what starts to happen. It isn't easy. It's incredibly painful, actually. But she finds wisdom and grace and acceptance and she begins to reclaim herself. The fist-pumping that happens in this story is nothing to do with action and defeating enemies and all about interior journeys and defeating inner demons.

Don't give up on this book if you hate the beginning, with Tess's self-defeating flailing and the horrible women-hating religion and her awful, awful mother. All of these things are dealt with in surprising, nuanced and powerful ways. Motherhood, sisterhood, family, love—it's all turned inside out and held up to the light, and Tess comes away with some truth she can stand on, a woman she can be. (Oh, yeah, and she's disguised as a boy most of the time. There's some serious identity stuff going on!)

The writing is beautiful. I would quote endlessly if I still had my copy (I got it out of the library, but I'm going to buy the real book for myself because I like it that much, and that cover!) E.K. Johnson says Hartman can "kill your heart with her grammar" (which, by the way, is something Johnson is really good at, too!) and that's a great way to put it. There are some lovely, lovely, bits: wise or heartbreaking or numinous or just really funny. (If you love E.K. Johnson, you'll love Tess of the Road.)

Don't read it if you want flying dragons and, I don't know, anything typical of fantasy in general. Don't expect it to be a sequel to Seraphina and Shadow Scale: it's an entirely different book (Seraphina does show up in it, and it's great to see her, but it's not her story at all)(I want to re-read Seraphina now to see what it says about Tess: I don't remember her from it). Do read it if you like your fantasy to deal with real stuff in thoughtful, realistic ways, if you like characters who learn and grow and figure themselves out, if you like interesting, original fantasy worlds. (The more I read, the more I appreciate books that are interesting!)

I feel like I'm not conveying how much I liked Tess. I loved how different it was from expectations. Nothing was predictable; everything was fresh and surprising and fun. I'm making it sound painful but it's actually very funny most of the time. Tess is a mess but she's a compelling, hilarious narrator. Your heart breaks for her, but she could care less what you think! She makes you root for her all the way, and I loved where she ended up.

This is apparently book 1, and I can see where the sequel will go, but this had a satisfying ending. I will be happy to read more of Tess's adventures though!

Really dark chocolate with a flavour you wouldn't think would work with chocolate but somehow does. Maybe ginger? Or something less immediately identifiable. Cardamom, maybe, or black pepper.

Saturday, January 19, 2013

Overdue Books

I've got a stack of library books collecting fines on my desk because I still want to blog about them, so I think I'd better do a bunch of quickies and clear the desk for the next lot.

I have been doing relatively short reviews on Goodreads for some of the books I finish, and I guess it is considered kosher to copy reviews from your blog to Goodreads and vice versa, so that's what I'm going to do.

I was hooked as soon as I heard the premise of Seraphina, by Rachel Hartman. Seraphina is assistant court musician in a renaissance-like country that is renewing a peace treaty with dragons. Her job is to create the musical entertainment for the dragon king's state visit--but Seraphina has secrets of her own that may make the difference between peace and war. Hartman has a great take on dragons--original and fascinating. I loved how the novel explored the idea of peace between two species with such a history of violence. It reminded me of Speaker for the Dead with its exploration of how we could possibly coexist with a race so Other, and so dangerous to us. Can we afford to trust them? Can we afford not to?

Great characters: complex, interesting, real. Loved that Seraphina is a musician, loved the use of music in the novel. Loved the dragon characters and their wrestle with human emotions. Especially Orma--oh, he was wonderful! And the creatures in Seraphina's garden were way cool.

Cool plot: unpredictable, intelligent. Doesn't end on a cliffhanger but there will be a sequel and I'm excited to find out where she takes it.

If you're looking for something different than all the other YA fantasy out there, check this out. (If you like Sherwood Smith and Robin McKinley, this will be up your alley.)

When I reviewed The Scorpio Races (on my blog), I said it "grabbed me with its sharp teeth and carried me out to drown into a stormy sea." The Raven Boys wasn't as immediate or violent in its effect on me, but in the end I think it was just as powerful. It was more like being led hesitantly into a forest--following a raven that stares at you and hops from branch to branch and looks back to see if you're coming. And by the time you realize that you're completely lost it doesn't matter, because there's so much to discover in the forest and you never want to go home.

This book has to do with psychics and ley lines, omens, sentient forests, and a sleeping king; but really it's all about the characters. Deep, fascinating, quirky, wounded, unpredictable, annoying, vulnerable, break-your-heart characters. Every one of them. I loved them, I wanted to throttle them, I couldn't wait to see how their relationships would develop. There's so much more I want to know about them!

My Goodreads review is somewhat longer; you can go here to see it if you want. I won't tell you anything about the plot, though. It's best if you don't really know anything.


I read Girl of Fire and Thorns when it came out a few years ago, and was impressed. Court, magic, adventure, romance--but a unique take on it all, and a unique heroine. The romance isn't at all predictable, and Elisa develops in interesting and believable ways as she tries to be the queen her people need her to be.

Crown of Embers is as good or better. There's danger, treachery, and the difficult decisions a queen has to make, when she has to do what's best for her country rather than following her heart. I like that Elisa has to experiment with trusting people she doesn't want to trust, including herself. This book ended in an interesting place, so I'll definitely be looking out for the sequel.


Catherine Fisher has gotten a fair bit of press for her very original and compelling books Incarceron and Saphhique. When I saw this earlier series in the library I was intrigued. I've only read the first book, The Dark City, so I think I'll wait to do a full review when I've read the rest, but I'm definitely hooked. It's an interesting take on the advanced-technology-looks-like magic and repressive-regime-tries-to-suppress-it plot line. What sold it for me was the characters: bitter Galen, his patient apprentice Raffi, and complicated Carys. Fisher has a thing for dark, broken underground places which I don't necessarily share, but I was willing to follow these characters anywhere.