Showing posts with label Franny Billingsley. Show all posts
Showing posts with label Franny Billingsley. Show all posts

Monday, June 13, 2011

Chime, by Franny Billingsley



I bought Chime on the strength of Franny Billingsley's The Folk Keeper, and it didn't disappoint. Chime is gorgeous, lush, creepy, luminous, romantic, terrifying and heartbreaking. Briony, Rose, and Eldric: how could you not want to read their story? (Assuming it's not all fairyland and elves, which it isn't. At all.) Here's the first two lines:
       I've confessed to everything and I'd like to be hanged.
       Now, if you please.


I don't need to say anything else: you must want to read it now. Especially with that cover. And the amazing font in the chapter titles.


Okay, I'll tell you a little more about it. Take equal parts Brothers Grimm (NOT the expurgated versions) and Bronte sisters (mostly Jane Eyre). Throw in a healthy dollop of campfire horror tales. Then wrap in silk and ribbons and take it "into the wild, into the real, into the ooze and muck and the clean, muddy smell of life." Past the Flats, through the Quicks, across the snickleways of the Slough. Hide it in "a tangle of mist and midst" in the middle of the swamp, and then come back and ask, "A person must always keep a secret, mustn't she?"

Oh, and it's a love story.

Briony narrates, Briony who hates herself. Briony who says she deserves to be hanged. Briony who takes care of her twin sister Rose, because Rose can never be left alone, and now that Stepmother is dead there is only Briony, because Father is never home.
Father's silence is not merely the absence of sound. It's a creature with a life of its own. It chokes you. It pinches you small as a grain of rice. it twists in your gut like a worm.
Silence clawed at my throat. It left a taste of burnt matches.
No, our family doesn't talk much. 
The narration is oblique and halting, because Briony's understanding of herself is oblique and halting. Her memories of what happened to Stepmother and to Rose don't match up, but she is certain the terrible things are all her fault, because Briony is a witch. Her anger and jealousy are dangerous because she can call up the Old Ones from the swamp, even if she doesn't intend to. At all costs she must prevent herself from hurting anyone else, particularly Eldric, with his "golden lion's eyes and a great mane of tawny hair," who stirs up more jealousy than ever. And isn't that odd, because Briony is too wicked to be able to love, isn't she?

The swamp is both setting and character, and Billingsley's poetic prose turns delicious every time Briony enters it:
My moonbeam skirts were pale moths, fluttering past the skulls of giant mushrooms. I sank into peat moss and autumn leaves, into the musk-stink of dying cabbage and the splosh of decay.
Voices laughed and ran past me in the shadows. I ran through a tangle of moonlight; I ran into a copper sea. If a body meet a body, comin' thro' the rye.
I was wild, I was wolfgirl. I was light as a moonbeam, my bones were filled with lace. I ran past chiming voices. "Pretty girl love pretty boy."
Chime is a puzzle. You will likely put the pieces together before Briony does, but will you figure it out before Eldric? Rose already knows.

This is a tasty novel, deep and layered, full of secrets: gingerbread with pears poached in red wine topped with cinnamon creme.

Tuesday, May 17, 2011

The Folk Keeper, by Franny Billingsley


Oh, how frustrating! I had a whole review of this book almost complete, and blogger lost it. It was a good review, too. I compared The Folk Keeper to Wolves of Willoughby Chase: old stone house in lonely setting, supernatural menace, original use of traditional folklore elements. The difference is the narrator: Corin/Corinna is fierce and single-minded and not very nice, and yet our sympathies are entirely with her. She disguises herself as a boy so that she can have the post of Folk Keeper at the orphanage: her job is to draw off the malice of the invisible Folk who live under the house. It says much about her character that she lies and schemes to get this dangerous yet important position. She thinks this is everything she wants in life, but then she is brought to Marblehaugh Park (the old stone house in the lonely setting), and she learns things about herself that she had never imagined. I have to quote from the review at Amazon.com because she says it so well: a proud, ferociously self-reliant girl who breaks out of her dark, cold, narrow world into one of joy, understanding, and even . . . But that's more of a spoiler than I'm prepared to give. (Don't cheat and go read the Amazon review!) 


I said lots of other clever things that I can't remember now, but here's my conclusion:

The plot is original but has the inevitable feeling of a folktale: the orphan finds a home; the child discoveres her true identity. Corinna's journey into herself is surprising, convincing and satisfying. I found The Folk Keeper atmospheric and suspenseful, and quite, quite unique. (I think I may not wait for our library to get Chime; I don't usually buy books before I read them, but I feel pretty confident about Franny Billingsley as an author.)


The Folk Keeper is a salad of wild greens and bitter herbs with a few curls of Grana Padano cheese and a very light, lemony dressing, served with artisan bread and fresh butter.