Showing posts with label Naomi Novik. Show all posts
Showing posts with label Naomi Novik. Show all posts

Saturday, February 23, 2019

Spinning Silver, by Naomi Novik

Spinning Silver astonished me. It astonished me more with every page I turned, and the ending floored me—if I hadn't been sitting down I would have collapsed. It was just so utterly perfect.

The whole book is plotted like an intricate puzzle jewel box, the kind you have to know the trick to open, with little pieces moving in seemingly random ways to make other little pieces able to move, and when it falls open in your hands you don't know how she did it. It is entirely original in its mythology, but drawn so expertly from all the folktales we know and don't know that every new revelation of magic feels inevitable and true.

Novik starts with a kernel from the story of Rumplestilskin, plants it deep into Russian tales like Vasilisa the Brave, and fertilizes it liberally with the history of Jews in Eastern Europe. The tree that grows from these roots has three heroines (shush! I know my metaphor is falling apart!)—three girls representing the narrow possibilities their society would allow them, girls made wise and cold by the necessity of their circumstances.

Miryam is the daughter of a moneylender who is too kind to be any good at it. Wanda is the daughter of a drunkard who beats her and wants to marry her off for whatever dowry he can get. Irina is the daughter of a duke, who doesn't beat her, but wants to marry her off for whatever dowry he can get, despite her disappointing lack of beauty.

I loved that this is a story about their choices. They are not given agency but they take it anyway, and their choice to stand up and exercise it transforms their world. I love the courage they each forge in different ways from their desperation, the various moments when they say "No!" because nothing could be worse than what they are saying no to. And the power they get from that realization.

I love that Miryam's power to transform silver into gold is economic: she's smart and knows how to value things and how to invest. It's a magic as potent as the magic of reading and figuring that she teaches Wanda. Knowledge is power; knowledge transforms. All kinds of transformations going on, in all the characters, in their perceptions, in the readers' perception of them and their perceptions of each other. The power of perception.

The themes in this book! I absolutely loved the way she started with a moneylender and blossomed off into an examination of promises and debt, honour and generosity, justice versus fairness. Value: who gives it? Where does a person get their value from? Power. Ooooh, all kinds of angles of looking at power: male power, female power, political power, magical power, the power of promises. Bonds, covenants, bargains. Fascinating! I've never found bookkeeping to be so emotionally resonant.

It was also a brilliant illumination of faith. Miryam is Jewish—I don't know if Naomi Novik is Jewish, but she certainly depicted that religion as if she understood it in her bones—and the concept of religion, of faith, the purpose of it, is lovingly represented by Judaism.
I had not known that I was strong enough to do any of those things until they were over and I had done them. I had to do the work first, not knowing.
... high magic: magic that came only when you made some larger version of yourself with words and promises, and then stepped inside and somehow grew to fill it.
Somewhere I hope someone is writing a PhD thesis about this book, because there's just so much going on in it! But you don't need to analyze it: you just need to let Novik's writing carry you away into a magical, entirely real land, full of heart-stoppingly lovable characters.

Miryam, Wanda and Irene are each fierce and clever and brave on their own, but it is unutterably wonderful when they reach across what divides them and come together to help each other. In the words of a Goodread reviewer (whose name I can't tell you because it's written in Arabic, sorry!): "I love this book so much—the kind of love that is peculiar to inhabiting the perspective of young women with agency and the relationships they form when relying on each other." (Her whole review is wonderful and says everything I want to say, but it tells you a lot more of the plot than I'm willing to—I don't want you to have too many expectations going in!)

I'm a bit late reading this book, so you all probably know how wonderful it is already, but if you don't: stop everything, swipe off your TBR and read this book!

This has to be something with layers: lots of different layers of flavours and textures that highlight and complement each other, so when you taste it you taste each individual thing but also something greater than the sum of all the parts. I'm making myself hungry and I don't even know what food I'm thinking of! Is there a Russian version of lasagne? Or maybe Black Forest Cake, or some Russian variant thereof. Mmm, going to eat lunch now!

Wednesday, August 19, 2015

Uprooted, by Naomi Novik

I kept my expectations low when starting this one, because so many people were raving about it and I didn't want to be disappointed. No danger of that: Uprooted deserves every bit of praise and more. It takes all the best elements of your favourite fairy tales and fantasy and weaves them into an original, deeply layered, coming-into-one's-magic-and-saving-the-world story.

It's a story that feels familiar and comforting; you've read it before; you think you know where it's going. Then it makes a left turn into yet another story that you're sure you recognize from somewhere. Every time you think you've gotten your bearings, off it goes in a new direction. It's Howl's Moving Castle. No, it's Crown Duel. No, it's The Blue Sword. No, it's The Riddlemaster of Hed.

And isn't that exactly what we all want from a story? That it's the same as all the ones we loved, but still completely new and surprising? I can confidently say that if you like Diana Wynne Jones, Sherwood Smith, Robyn McKinley, Patricia McKillip, Ursula Le Guin, Juliet Marillier . . . you will like Uprooted.

Things I loved: 

The magic. At first I was disappointed, because other people had commented on how wonderful the magic was, and it isn't, at first. But that's all part of the plan, and you have no idea what I mean because I refuse to be the least bit spoilery. Just, be patient for a few chapters, that's all.

The Polish influences: names, landscapes, food and fairy tale references were a fresh twist on the Medieval European fantasy landscape. Familiar, but not.

The characters: all of them. All complex and understandable, people you recognize ("the people that you meet when you're walking down your street"), people you can care about. Even the villains. Even the really, really evil villains.

The romance. See above, re: characters. It was a real, believable relationship; it didn't dominate the book but it spiced it up; there were some really great scenes. And if you're like me, and the slightly spoilery things people were saying about this being a Beauty and the Beast story make you worry about whether it's a healthy romance, it's okay: Nieshka totally owns it.

Nieshka: because she's thrown out of her element so many times, and she's terrified, and she has no idea how she's going to cope, but then she womans up and does what she knows she has to do. Her character growth is painful and frustrating, and she rocks it. Lots of "you go girl" moments.

The Wood: seriously creepy and evil. Wow. *Shudder*

The writing: I had to take my copy back to the library so I can't quote for you, but the language is beautiful, worth savoring. Plus, lots of humour. Great dialog.

I'm probably the last person on the block who hadn't read this, but if you happen to have not read it yet, you're in for a treat!

I'm not very familiar with Polish food, so I'm going to go with goulash: spicy, rich, meaty, with big doughy dumplings.