The most important relationship in the story is between Morgan and her younger foster brother Eli, whom she both sympathizes with and resents because he at least has memories of his family and his culture, whereas she was given away when she was a baby. Eli's skill at drawing is the magic that creates a portal in the attic, and Morgan has to go through the portal to find Eli and bring him home.
Found family, siblings and portal fantasies are all buttons for me, and the snowy icing on the cake was the wintery setting: in Winnipeg in the real world, and in the trapped-in-winter land of Aski. Robertson's depiction of a winter forest landscape rang very true and familiar to me. This is such a Canadian book! (I was only annoyed at Morgan not wearing enough clothes when she went through the portal: she would know how to dress better than that!)(At least she remembered her mitts.)
The homage to Narnia is genuine, and the integration of aboriginal mythology and values into a Lion Witch and Wardrobe retelling felt both fresh and satisfying. The environmental message (and the metaphor of colonialization) is clear but not, I think, too didactic.
The story itself is fast-paced and fun, a fairly simple adventure quest with enjoyable banter and realistic character development. I liked how Eli's and Morgan's different strengths were acknowledged, and I loved the bickering between Ochek and Arik. (I am embarrassed to be a Canadian who did not know there was such an animal as a fisher: kind of like a really large weasel. You would think I would have learned about them at some point!)
This is a strong beginning to a middle-grade fantasy series for any readers who like wilderness adventures and portal stories, and a book that should become a Canadian classic.
For more great Marvelous Middle Grade Monday reads, check out Greg Pattridge's blog, Always in the Middle
